{"id":23246,"date":"2016-08-05T15:58:40","date_gmt":"2016-08-05T13:58:40","guid":{"rendered":"https:\/\/www.antipodes.cafe\/aeseries\/concierto-para-maquinas-3-elli-medeiros\/"},"modified":"2019-05-01T01:40:09","modified_gmt":"2019-04-30T23:40:09","slug":"concierto-para-maquinas-3-elli-medeiros","status":"publish","type":"aeseries","link":"https:\/\/www.antipodes.cafe\/es\/aeseries\/concierto-para-maquinas-3-elli-medeiros\/","title":{"rendered":"Concierto para m\u00e1quinas #3 \u2013 Elli Medeiros"},"content":{"rendered":"

El tercero de los cuatro conciertos para m\u00e1quinas organizados por antipodes caf\u00e9 durante 2016, fue desarrollado en la terraza del proyecto \u00e6DEG15 y cont\u00f3 con la participaci\u00f3n de\u00a0Elli Medeiros.<\/strong><\/p>\n

Su participaci\u00f3n comenz\u00f3 con una emotiva versi\u00f3n\u00a0a cappella<\/em> version de la canci\u00f3n \u00abVolver\u00bb (1934, Gardel y Le Pera) y luego continu\u00f3 con un delicado\u00a0collage<\/em>\u00a0incluyendo lecturas de una selecci\u00f3n de sus publicaciones en redes sociales, comentarios y pasajes de diversos libros que ella estaba leyendo en tal momento,\u00a0cuando a su vez canciones de su pasado aparec\u00edan sutilmente de fondo. Tambi\u00e9n escuchamos una canci\u00f3n de su hija Calypso y Elli interpret\u00f3 otras dos canciones tambi\u00e9n a capella entre estas \u00abChega de saudade\u00bb (1958, Jobim y de Moraes) que ella grabara en 1997.<\/p>\n

\n

\u00abHi ! I’m Elli ! Welcome to my \u00abconcert for machines\u00bb which will (probably) be more of a concert without machines, or a reading thru a machine, or music without instruments, or voices without sound and images instead or, mostly, since we are communicating thru Facebook and social media, turning on the sound on my posts, and I will add my voice.. so I will be reading the day’s posts, and some of the texts and notes I’ve published and also a few pages of the books I wanted to share with you, and I might sing a bit .. if the machines inspire me ! and I will be posting some pictures too, for those who cannot be with us in Oslo \u2606\u00bb<\/em><\/p>\n

(Facebook page\u00a0video<\/a>)<\/p>\n

\n

ELLI MEDEIROS<\/span><\/h3>\n
Montevideo, Uruguay, 1956.
\nVive y trabaja\u00a0en Paris, Francia.<\/h5>\n

elli<\/b>–medeiros<\/b>.com<\/a><\/p>\n

BIO\u00a0<\/span>(English)<\/h5>\n

Elli Medeiros was born in Montevideo, Uruguay. Her mother, Mirtha Medeiros, decided to become an actress after Elli was born, & when she was admitted into Uruguay’s Escuela National, had to take her along, so Elli attended drama school & classes by Spanish teacher Pepe Struch before kindergarden. Mirtha graduated and quickly became a very busy actress and Elli was regularly hired each time a child was needed in a play or a TV show. Her first part, at age 4, was Mme Butterfly’s son, in the production of Puccini’s opera at the Montevideo Opera. This was Orson Welles’ first role, at the same age. Elli’s father, Jos\u00e9 Luis Medeiros, vanished from her life when she was five.<\/span><\/p>\n

Elli attended the Uruguyan American School, and when her mother remarried & moved to Buenos Aires, Argentina, she attended the Instituto Bayard, a British school. When she was fourteen, her mother & step father moved to Paris, and she had to learn French in a couple of months so she could attend high school. She tried several schools, including an art schoot, l’Ecole des Arts Appliqu\u00e9es, but dropped out before getting a \u00abbaccalaur\u00e9at\u00bb to start her first band, the Stinky Toys, the first French punk band, playing several London punk Festivals along with the Clash & the Sex Pistols.<\/p>\n

Elli appeared on the cover of ‘Melody Maker’ & that convinced the until then extremely reluctant French record companies to sign them a deal. After two albums, the Stinky Toys split and Elli and Stinky Toy Jacno then released several albums as the techno pop duo ‘Elli & Jacno’. Their last was Full Moon in Paris (1984), the score to \u00c9ric Rohmer’s movie. Elli then went solo, her music becoming more personal, more Latin and had several hits in France, including ‘Toi mon Toit’, mega hit of 1986, now a standard.<\/p>\n

After a break, Elli decided to go back to acting & school, & worked with ‘Andreas Voutsinas’, who was Lee Strasberg’s assistant for twenty years and created the Paris \u00abActor’s Studio\u00bb, le Th\u00e9atre des Cinquante. She also took classes with Madeleine Barchevska and Bob Mc Andrew. (source<\/a>)<\/p>\n

 <\/p>\n

DISCOGRAF\u00edA<\/span><\/h5>\n

2011<\/strong> STINKY TOYS the 2nd album RERELEASE
\nELLI & JACNO Tout va sauter RERELEASE
\n2010<\/strong> 11 STINKY TOYS the 1st album RERELEASE
\n2009<\/strong> E M \/ For you \/ Soul\u00e8ve-moi remixes SORTIE DIGITALE Katabami dist Believe
\n2007<\/strong> E M (Random) Argentina Uruguay Chile
\n2006<\/strong> E M (V2) France
\n1998<\/strong> Best of Elli (Barclay)
\n1994<\/strong> Les Symphonies de poche compilaci\u00f3n de Elli & Jacno (Virgin)
\n1989<\/strong> Elli (Barclay)
\n1987<\/strong> Bom Bom (Barclay)
\n1987<\/strong> A bailar Calypso – single ( Barclay)
\n1986<\/strong> Toi mon toit – single (Barclay)
\n1984<\/strong> Les nuits de la pleine lune B.O. du film \u00abLes nuits de la pleine lune\u00bb d\u2019\u00c9ric Rohmer (EJC\/CBS) Elli & Jacno
\n1982<\/strong> Boomerang (Celluloid\/EJC\/ Vogue) Elli & jacno
\n1981<\/strong> Inedits 77-81 (Celluloid\/EJC\/Vogue) Elli & Jacno
\n1980<\/strong> Tout va sauter (Vogue) Elli & Jacno
\n1979<\/strong> album jaune (Vogue) Stinky Toys
\n1977<\/strong> album gris (Polydor) Stinky Toys<\/p>\n

FILMOGRAF\u00cdA<\/span><\/h5>\n

2015 <\/strong>Brisas heladas by Gustavo Postiglione<\/em>
\n2014<\/strong> La collection: Ecrire pour\u2026 la trentaine vue par des \u00e9crivains
\n2014<\/strong> Pure Life by\u00a0Jeremy Banster<\/em>
\n2012<\/strong> Le fil d’Ariane
\n2011<\/strong> Hard Canal+
\n2011<\/strong> Hard Canal+
\n2011<\/strong> The Island by Kamen Kalev<\/em>
\n2009<\/strong> Moloch Tropical by Raoul Peck<\/em>
\n2009<\/strong> First Impressions by Nigel Bennett<\/em>
\n2008<\/strong> Leonera, by Pablo Trapero<\/em>
\n2007<\/strong> Apr\u00e8s lui , by Ga\u00ebl Morel<\/em>
\n2005<\/strong> Panorama, by Marinca Villanova<\/em>
\n2003<\/strong> Rosa la nuit, by Nicolas Cornut<\/em>
\n2002<\/strong> House Hunting, by Christophe Rodriguez<\/em>
\n2002<\/strong> Lulu, by Jean Henry Roger<\/em>
\n2000<\/strong> Jet Set , by Fabien Onteniente<\/em>
\n2000<\/strong> Paris, mon petit corps est bien las de ce grand monde, by Franssou Prenant<\/em>
\n2000<\/strong> Mamirolle, by Brigitte Coscas<\/em>
\n1999<\/strong> V\u00e9nus beaut\u00e9 (institut) , by Tonie Marshall<\/em>
\n1999<\/strong> Pourquoi pas moi ? , by St\u00e9phane Giusti<\/em>
\n1999<\/strong> Derri\u00e8re la porte , by Marion Laine<\/em>
\n1998<\/strong> Fin ao\u00fbt, d\u00e9but septembre , by Olivier Assayas<\/em>
\n1998<\/strong> Il suffirait d un pont , by Solveig Daumartin<\/em>
\n1997<\/strong> Temp\u00eate dans un verre d eau , by Arnold Barkus<\/em>
\n1991<\/strong>\u00a0Paris s \u00e9veille , by Olivier Assayas<\/em>
\n1991<\/strong> Petits travaux tranquilles , by St\u00e9phanie de Mareuil<\/em>
\n1982<\/strong> Laiss\u00e9 inachev\u00e9 \u00e0 Tokyo, by Olivier Assayas<\/em>
\n1980<\/strong> Rectangle, deux chansons de Jacno , by Olivier Assayas<\/em>
\n1979<\/strong> L’ enfant secret , by Philippe Garrel<\/em>
\n1979<\/strong> Copyright, by Olivier Assayas<\/em><\/span><\/p>\n

BD \/ ART\u00cdCULOS<\/span><\/h5>\n

1980<\/strong> Images et paroles, \u00e9ditions Futuropolis<\/span><\/p>\n

M\u00c1S<\/span><\/h5>\n

2007<\/strong> \u00abLa que le puso alfiler al punk<\/a>\u00bb
\n1979\u00a0<\/strong>Interview<\/a> (Fran\u00e7ais)<\/span><\/p>\n","protected":false},"author":11,"featured_media":9734,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0},"locations":[507],"listing_categories":[463,701,458,685],"class_list":["post-23246","aeseries","type-aeseries","status-publish","has-post-thumbnail","hentry","locations-norway-es","listing_categories-aedeg15-es","listing_categories-concert-for-machines","listing_categories-urbanintervention-es","listing_categories-situations-es"],"cmb2":{"listing_aeseries_general":{"listing_title":"Concierto para m\u00e1quinas #3 \u2013 Elli Medeiros","listing_description":"El tercero de los cuatro conciertos para m\u00e1quinas organizados por antipodes caf\u00e9 durante 2016, fue desarrollado en la terraza del proyecto \u00e6DEG15 y cont\u00f3 con la participaci\u00f3n de\u00a0Elli Medeiros.<\/strong>\r\n\r\nSu participaci\u00f3n comenz\u00f3 con una emotiva versi\u00f3n\u00a0a cappella<\/em> version de la canci\u00f3n \"Volver\" (1934, Gardel y Le Pera) y luego continu\u00f3 con un delicado\u00a0collage<\/em>\u00a0incluyendo lecturas de una selecci\u00f3n de sus publicaciones en redes sociales, comentarios y pasajes de diversos libros que ella estaba leyendo en tal momento,\u00a0cuando a su vez canciones de su pasado aparec\u00edan sutilmente de fondo. Tambi\u00e9n escuchamos una canci\u00f3n de su hija Calypso y Elli interpret\u00f3 otras dos canciones tambi\u00e9n a capella entre estas \"Chega de saudade\" (1958, Jobim y de Moraes) que ella grabara en 1997.\r\n\r\n

\r\n\r\n\"Hi ! I'm Elli ! Welcome to my \"concert for machines\" which will (probably) be more of a concert without machines, or a reading thru a machine, or music without instruments, or voices without sound and images instead or, mostly, since we are communicating thru Facebook and social media, turning on the sound on my posts, and I will add my voice.. so I will be reading the day's posts, and some of the texts and notes I've published and also a few pages of the books I wanted to share with you, and I might sing a bit .. if the machines inspire me ! and I will be posting some pictures too, for those who cannot be with us in Oslo \u2606\"<\/em>\r\n\r\n(Facebook page\u00a0video<\/a>)\r\n\r\n
\r\n\r\n

ELLI MEDEIROS<\/span><\/h3>\r\n
Montevideo, Uruguay, 1956.\r\nVive y trabaja\u00a0en Paris, Francia.<\/h5>\r\nelli<\/b>-medeiros<\/b>.com<\/a>\r\n
BIO\u00a0<\/span>(English)<\/h5>\r\nElli Medeiros was born in Montevideo, Uruguay. Her mother, Mirtha Medeiros, decided to become an actress after Elli was born, & when she was admitted into Uruguay's Escuela National, had to take her along, so Elli attended drama school & classes by Spanish teacher Pepe Struch before kindergarden. Mirtha graduated and quickly became a very busy actress and Elli was regularly hired each time a child was needed in a play or a TV show. Her first part, at age 4, was Mme Butterfly's son, in the production of Puccini's opera at the Montevideo Opera. This was Orson Welles' first role, at the same age. Elli's father, Jos\u00e9 Luis Medeiros, vanished from her life when she was five.<\/span>\r\n\r\nElli attended the Uruguyan American School, and when her mother remarried & moved to Buenos Aires, Argentina, she attended the Instituto Bayard, a British school. When she was fourteen, her mother & step father moved to Paris, and she had to learn French in a couple of months so she could attend high school. She tried several schools, including an art schoot, l'Ecole des Arts Appliqu\u00e9es, but dropped out before getting a \"baccalaur\u00e9at\" to start her first band, the Stinky Toys, the first French punk band, playing several London punk Festivals along with the Clash & the Sex Pistols.\r\n\r\nElli appeared on the cover of 'Melody Maker' & that convinced the until then extremely reluctant French record companies to sign them a deal. After two albums, the Stinky Toys split and Elli and Stinky Toy Jacno then released several albums as the techno pop duo 'Elli & Jacno'. Their last was Full Moon in Paris (1984), the score to \u00c9ric Rohmer's movie. Elli then went solo, her music becoming more personal, more Latin and had several hits in France, including 'Toi mon Toit', mega hit of 1986, now a standard.\r\n\r\nAfter a break, Elli decided to go back to acting & school, & worked with 'Andreas Voutsinas', who was Lee Strasberg's assistant for twenty years and created the Paris \"Actor's Studio\", le Th\u00e9atre des Cinquante. She also took classes with Madeleine Barchevska and Bob Mc Andrew. (source<\/a>)\r\n\r\n \r\n
DISCOGRAF\u00edA<\/span><\/h5>\r\n2011<\/strong> STINKY TOYS the 2nd album RERELEASE\r\nELLI & JACNO Tout va sauter RERELEASE\r\n2010<\/strong> 11 STINKY TOYS the 1st album RERELEASE\r\n2009<\/strong> E M \/ For you \/ Soul\u00e8ve-moi remixes SORTIE DIGITALE Katabami dist Believe\r\n2007<\/strong> E M (Random) Argentina Uruguay Chile\r\n2006<\/strong> E M (V2) France\r\n1998<\/strong> Best of Elli (Barclay)\r\n1994<\/strong> Les Symphonies de poche compilaci\u00f3n de Elli & Jacno (Virgin)\r\n1989<\/strong> Elli (Barclay)\r\n1987<\/strong> Bom Bom (Barclay)\r\n1987<\/strong> A bailar Calypso - single ( Barclay)\r\n1986<\/strong> Toi mon toit - single (Barclay)\r\n1984<\/strong> Les nuits de la pleine lune B.O. du film \"Les nuits de la pleine lune\" d\u2019\u00c9ric Rohmer (EJC\/CBS) Elli & Jacno\r\n1982<\/strong> Boomerang (Celluloid\/EJC\/ Vogue) Elli & jacno\r\n1981<\/strong> Inedits 77-81 (Celluloid\/EJC\/Vogue) Elli & Jacno\r\n1980<\/strong> Tout va sauter (Vogue) Elli & Jacno\r\n1979<\/strong> album jaune (Vogue) Stinky Toys\r\n1977<\/strong> album gris (Polydor) Stinky Toys\r\n
FILMOGRAF\u00cdA<\/span><\/h5>\r\n2015 <\/strong>Brisas heladas by Gustavo Postiglione<\/em>\r\n2014<\/strong> La collection: Ecrire pour\u2026 la trentaine vue par des \u00e9crivains\r\n2014<\/strong> Pure Life by\u00a0Jeremy Banster<\/em>\r\n2012<\/strong> Le fil d'Ariane\r\n2011<\/strong> Hard Canal+\r\n2011<\/strong> Hard Canal+\r\n2011<\/strong> The Island by Kamen Kalev<\/em>\r\n2009<\/strong> Moloch Tropical by Raoul Peck<\/em>\r\n2009<\/strong> First Impressions by Nigel Bennett<\/em>\r\n2008<\/strong> Leonera, by Pablo Trapero<\/em>\r\n2007<\/strong> Apr\u00e8s lui , by Ga\u00ebl Morel<\/em>\r\n2005<\/strong> Panorama, by Marinca Villanova<\/em>\r\n2003<\/strong> Rosa la nuit, by Nicolas Cornut<\/em>\r\n2002<\/strong> House Hunting, by Christophe Rodriguez<\/em>\r\n2002<\/strong> Lulu, by Jean Henry Roger<\/em>\r\n2000<\/strong> Jet Set , by Fabien Onteniente<\/em>\r\n2000<\/strong> Paris, mon petit corps est bien las de ce grand monde, by Franssou Prenant<\/em>\r\n2000<\/strong> Mamirolle, by Brigitte Coscas<\/em>\r\n1999<\/strong> V\u00e9nus beaut\u00e9 (institut) , by Tonie Marshall<\/em>\r\n1999<\/strong> Pourquoi pas moi ? , by St\u00e9phane Giusti<\/em>\r\n1999<\/strong> Derri\u00e8re la porte , by Marion Laine<\/em>\r\n1998<\/strong> Fin ao\u00fbt, d\u00e9but septembre , by Olivier Assayas<\/em>\r\n1998<\/strong> Il suffirait d un pont , by Solveig Daumartin<\/em>\r\n1997<\/strong> Temp\u00eate dans un verre d eau , by Arnold Barkus<\/em>\r\n1991<\/strong>\u00a0Paris s \u00e9veille , by Olivier Assayas<\/em>\r\n1991<\/strong> Petits travaux tranquilles , by St\u00e9phanie de Mareuil<\/em>\r\n1982<\/strong> Laiss\u00e9 inachev\u00e9 \u00e0 Tokyo, by Olivier Assayas<\/em>\r\n1980<\/strong> Rectangle, deux chansons de Jacno , by Olivier Assayas<\/em>\r\n1979<\/strong> L' enfant secret , by Philippe Garrel<\/em>\r\n1979<\/strong> Copyright, by Olivier Assayas<\/em><\/span>\r\n
BD \/ ART\u00cdCULOS<\/span><\/h5>\r\n1980<\/strong> Images et paroles, \u00e9ditions Futuropolis<\/span>\r\n
M\u00c1S<\/span><\/h5>\r\n2007<\/strong> \"La que le puso alfiler al punk<\/a>\"\r\n1979\u00a0<\/strong>Interview<\/a> (Fran\u00e7ais)<\/span>","listing_featured_image":"https:\/\/www.antipodes.cafe\/wp-content\/uploads\/2017\/02\/ellimedeiros.jpg","listing_featured_image_id":""},"listing_aeseries_banner":{"listing_banner":"banner_featured_image","listing_banner_image":"","listing_banner_image_id":"","listing_banner_video":"","listing_banner_video_id":"","listing_banner_video_embed":"","listing_banner_map_zoom":"12","listing_banner_map_type":"SATELLITE","listing_banner_map_marker":""},"listing_aeseries_gallery":{"listing_gallery":{"8580":"https:\/\/www.antipodes.cafe\/wp-content\/uploads\/2017\/02\/thumb_DSC_0531_1024-.jpg","8581":"https:\/\/www.antipodes.cafe\/wp-content\/uploads\/2017\/02\/thumb_DSC_0522_1024-.jpg","8582":"https:\/\/www.antipodes.cafe\/wp-content\/uploads\/2017\/02\/thumb_DSC_0517_1024-.jpg","8583":"https:\/\/www.antipodes.cafe\/wp-content\/uploads\/2017\/02\/thumb_DSC_0514_1024-.jpg","8584":"https:\/\/www.antipodes.cafe\/wp-content\/uploads\/2017\/02\/thumb_DSC_0513_1024-.jpg","8585":"https:\/\/www.antipodes.cafe\/wp-content\/uploads\/2017\/02\/thumb_DSC_0506_1024-.jpg","8586":"https:\/\/www.antipodes.cafe\/wp-content\/uploads\/2017\/02\/thumb_DSC_0502_1024-.jpg","8587":"https:\/\/www.antipodes.cafe\/wp-content\/uploads\/2017\/02\/thumb_DSC_0496_1024-.jpg","8579":"https:\/\/www.antipodes.cafe\/wp-content\/uploads\/2017\/02\/ellimedeiros.jpg"}},"listing_aeseries_video":{"listing_video":"https:\/\/peertube.tv\/videos\/watch\/87fb92b2-b8a5-46b6-8617-95b38c38c653"},"listing_aeseries_listing_category":{"listing_listing_category":""},"listing_aeseries_location":{"listing_address":"","listing_locations":["norway",""],"listing_map_location":{"address":"Dronning Eufemias gate, Oslo, Norway","latitude":"59.90752362276344","longitude":"10.757697856657046"},"listing_map_location_polygon":"","listing_street_view":"","listing_street_view_location":{"latitude":"37.81240457820649","longitude":"-122.4760775295691","zoom":"1.308","heading":"-18","pitch":"25"},"listing_inside_view":"","listing_inside_view_location":{"latitude":"37.81240457820649","longitude":"-122.4760775295691","zoom":"1.308","heading":"-18","pitch":"25"},"listing_venue":""},"listing_aeseries_contact":{"listing_email":"","listing_phone":"","listing_website":"","listing_person":"","listing_address":""},"listing_aeseries_opening_hours":{"listing_opening_hours":[{"listing_day":"MONDAY","listing_time_from":"","listing_time_to":"","listing_custom":""},{"listing_day":"TUESDAY","listing_time_from":"","listing_time_to":"","listing_custom":""},{"listing_day":"WEDNESDAY","listing_time_from":"","listing_time_to":"","listing_custom":""},{"listing_day":"THURSDAY","listing_time_from":"","listing_time_to":"","listing_custom":""},{"listing_day":"FRIDAY","listing_time_from":"","listing_time_to":"","listing_custom":""},{"listing_day":"SATURDAY","listing_time_from":"","listing_time_to":"","listing_custom":""},{"listing_day":"SUNDAY","listing_time_from":"","listing_time_to":"","listing_custom":""}]},"listing_aeseries_date":{"listing_date":"1470268800"},"listing_aeseries_time":{"listing_time":"06:00 PM"},"listing_aeseries_datetime_interval":{"listing_datetime_from":"","listing_datetime_to":""}},"_links":{"self":[{"href":"https:\/\/www.antipodes.cafe\/es\/wp-json\/wp\/v2\/aeseries\/23246","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.antipodes.cafe\/es\/wp-json\/wp\/v2\/aeseries"}],"about":[{"href":"https:\/\/www.antipodes.cafe\/es\/wp-json\/wp\/v2\/types\/aeseries"}],"author":[{"embeddable":true,"href":"https:\/\/www.antipodes.cafe\/es\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/www.antipodes.cafe\/es\/wp-json\/wp\/v2\/comments?post=23246"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.antipodes.cafe\/es\/wp-json\/wp\/v2\/media\/9734"}],"wp:attachment":[{"href":"https:\/\/www.antipodes.cafe\/es\/wp-json\/wp\/v2\/media?parent=23246"}],"wp:term":[{"taxonomy":"locations","embeddable":true,"href":"https:\/\/www.antipodes.cafe\/es\/wp-json\/wp\/v2\/locations?post=23246"},{"taxonomy":"listing_categories","embeddable":true,"href":"https:\/\/www.antipodes.cafe\/es\/wp-json\/wp\/v2\/listing_categories?post=23246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}